is a rose

Charlotte Triebus

In collaboration with MIREVI

Performative installation, 2019

A visitor leans towards a fern. The leaves stir. On a screen across the room, a red sphere changes shape.

Nine plants hang in front of a square screen in the industrial hall of the Baumwollspinnerei.

Nine plants hang in a circle, each with its roots wrapped in a ball of moss in the manner of kokedama. Visitors can touch a leaf or walk between the plants. Even the air displaced by a passing body is enough to set the fronds in motion.

A tracking system registers the movement of the foliage. On a low-resolution LED panel, a red sphere turns on its axis. Each disturbance leaves a swelling, a tilt or an indentation in its surface. By the end of the day, the sphere holds the accumulated movements of everyone who has passed through the installation.

Installation film

Play installation film

Artist presentation

Play artist presentation

A moving audience

Charlotte Triebus conceived the installation for an audience already in motion. The camera follows the plants. A visitor who has deliberately touched a frond and a visitor who has simply walked past can both leave a trace. Neither can choose where it appears on the sphere. For Triebus, the distribution of agency begins with that small discrepancy between a gesture and its visible consequence.

Presentations

I Engineer, Baumwollspinnerei Leipzig, 2019–20. First presentation.

TEMPS D’IMAGES, tanzhaus nrw, Düsseldorf, 2020. On Equal Terms II, Galerie Priska Pasquer, Cologne, 2020.

Intangible Losses, TEI Art Track, Galerie 5020, Salzburg, 2021.

Credits
Concept
Charlotte Triebus
Development
MIREVI Lab, Hochschule Düsseldorf — Bastian Dewitz, Jochen Feitsch, Calvin Huhn
Materials and dimensions
Nine suspended plants, optical tracking system and 1.5 × 1.5 m LED panel. Installation space 5 × 5 × 5 m.

Further reading

Works

We, Brute FORCE

Stereoscopic
dance film

Misha Ostenrath and Kevin Beyer face the camera in a dark brick canal.

An eight-minute stereoscopic dance film for two dancers and a seated viewer.

afk

Large photographic works in the gallery installation afk.
Two digital bodies intertwined above a landscape in proxy.
Augmented reality dancers seen through a tablet in kin_.
A wide view of The Code with two dancers and a speaker on stage, a freestanding screen, and the seated audience in the foreground.
An open copy of Multitudes with drawings and a transparent water-like layer extending beyond its pages.

Research & writing

Agency in the postdigital performing artsDoctoral research

Artistic research into agency in performances involving human bodies and computational systems.

MultitudesResearch comic

Drawing and sequential images as forms of artistic research.

Explore Multitudes

About

Charlotte Triebus is an artist, choreographer and researcher. Her practice brings together dance, installation and technology.

She leads the ensemble New Human Body Society.