Multitudes

Charlotte Triebus

Graphic Novel, Augmented Reality

A graphic lecture on perception, bias, embodiment and the interpretation of bodies.

Format
Printed comic with augmented-reality elements
Structure
Five chapters
Context
Precious Camouflage
An open copy of Multitudes with drawings and a transparent water-like layer extending beyond its pages.

Developed through the research of Precious Camouflage, Multitudes brings mythology, computing and dance into a five-chapter graphic lecture. Drawings and fragments explore perception, embodiment and the aesthetics of misunderstanding.

Augmented-reality elements extend the printed pages into movement, sound and the surrounding space.

Charlotte Triebus develops the concept, text and drawings in collaboration with the MIREVI team for the AR elements.

Four ways beyond the page

  1. Document overlays

    Documents become an additional layer of the reading experience.

  2. Embodied spaces

    Bodily and spatial elements extend the printed work into the reader’s surroundings.

  3. Interactive reflections

    The reader enters the work as a participant in how meaning is produced.

  4. Animated loops

    Moving visual fragments carry the drawings into time.

The title refers to Legacy Russell’s Glitch Feminism and its insistence on contradiction, fluid identities and irreducible multiplicity. Multitudes becomes a speculative twin of Precious Camouflage: a parallel language of research rooted in drawing, fragments and poetic system failure.

Credits
Artistic direction, drawings and text
Charlotte Triebus
Assistance
Julie Farré
Tabby Flynn
AR Development
MIREVI Lab
Tabby Flynn
Bastian Kämmerer
Andi Zielecki
Mirkan Kayatürk
Alexandros Kiakos

Production & support

Multitudes is a production of Charlotte Triebus, supported by Julie Farré and Tabby Flynn, in collaboration with MIREVI, with kind comments of many friends.

This project was developed as part of the research project Precious Camouflage at the MIREVI Lab, Düsseldorf University of Applied Sciences. It has been supported by the research project Theatre of Extended Realities, a collaboration between Theater an der Ruhr (Mülheim), MIREVI (Hochschule Düsseldorf), the Academy for Theatre and Digitality (Dortmund), and Dr. Jonathan Harth. It was funded by the Ministry of Culture and Science of the State of North Rhine-Westphalia as part of the NEUE WEGE program, in cooperation with the NRW KULTURsekretariat. This work was also funded by the German Federal Ministry of Research, Technology and Space (BMFTR) within the The Future of Value Creation – Research on Production, Services and Work program (funding code: 02L19C402).

Works

We, Brute FORCE

Stereoscopic
dance film

Misha Ostenrath and Kevin Beyer face the camera in a dark brick canal.

An eight-minute stereoscopic dance film for two dancers and a seated viewer.

A visitor leans toward a suspended plant in is a rose.

An interactive installation. Plant movement and a screen image respond to visitors.

afk

Large photographic works in the gallery installation afk.
Two digital bodies intertwined above a landscape in proxy.
Augmented reality dancers seen through a tablet in kin_.
A wide view of The Code with two dancers and a speaker on stage, a freestanding screen, and the seated audience in the foreground.

Research & writing

Agency in the postdigital performing artsDoctoral research

Artistic research into agency in performances involving human bodies and computational systems.

MultitudesResearch comic

Drawing and sequential images as forms of artistic research.

Explore Multitudes

About

Charlotte Triebus is an artist, choreographer and researcher. Her practice brings together dance, installation and technology.

She leads the ensemble New Human Body Society.